Now You Tech

10 DIFFERENT MIXING AND MASTERING TRICKS

10 Different Mixing And Mastering Tricks

Regardless of your level, no matter what music program you are using, we have prepared the information you need to know about Mixing and Mastering for you as Now You Tech. Although you do not have any information about Mix and Mastering, we share information that will shed light on you.

Sweeping EQ Technique

For example, there is a sizzling humming noise and so on in the song or any instrument, you don’t want. Raise the Equalizer and sweep it over the tape. Our aim is to detect the noise point with the amplification process. The higher the intensity of the noise, the better your ears will be able to hear it and allow you to take action. You reduce the points you find to negative numbers and reduce the noise.

Maintaining Dynamic Space

Song Dynamics is an important issue. In the new period, there has been a tendency to narrow down and decrease the concept of dynamic space in most music genres, though not in every musical genre. This would be a great idea if you want to keep your songs dynamic. Gentle use of compressors or similar dynamic processors will minimize the loss in dynamism. Compressors are also not essential. Because for a dynamic song, there is quite a difference between when it is loud and when it is low.

Because for a dynamic song, there is a lot of difference between when it is loud, and when it is low, and compressors cause you to lose this feature, in certain cases the compressor may remain on the shelf as an unnecessary consonant. It should not be forgotten that dynamic songs are songs that sound sweeter sonically. And it would be wise to avoid Compressor Effects to maintain dynamism. Because if the difference between a loud voice and a low voice in a song is not understood, that is, if the song resonates constantly, loud Sounds will have no meaning instead of low sounds.

Layering Trick

The layering method is a method that will greatly strengthen your Mixing Stages. In this method, each instrument is confined to the frequency group it belongs to. For example, sounds with predominantly mid-frequencies appear. Treble or treble sounds into treble bands. The Bass band can also be confined to 2 separate bands as punch and sub. It is good to use the Equalizer Filters to accomplish this. Or, it is necessary to make the tuning of the instrument according to this logic during the composition stage. For example; You can make room for kicks by taking the bass one Octave down. The target should be; Every sound should be able to resonate freely in its own field.

Less Sound More Clarity

Another neat mixing trick is to work with low noise. It is possible to make songs with one bass, one bit, and one Melody. According to this definition, since the number of bested sounds will be quite low, each sound will be heard more loud and clear during the mastering process, and conflicts will be minimized.

Saturation Trick

Effects such as Saturation and Distortion also act as a kind of compressor. You use these saturation moves, which add different frequencies to the sound while narrowing the dynamic field, in the Mixing Phase. For example, if you apply the correct ratio and tone to each estrum, that sound will sound quite loud. And of course, assuming that all the voices will go through this process, the song will get louder overall. In such applications, at the points where the Peak of the sound, ie peaking, is clipped, the average signal level value called RMS is increased. As a result, a process that trims from the top and adds loudness from the bottom is realized. As a result, the most important component that makes the songs lush is saturation.

Pre / Post Layout

Using the equalizer according to Pre and Post Relationships is an important issue. For example; If compression is to be applied to a sound, unwanted Frequencies in the sound should be clipped with an equalizer. And this equalizer should be the pre element of the compressor. In other words, the Equalizer should come first, then the compressor in the Mixer. Because unwanted frequencies can cause the compressor to operate incorrectly. When the compression process is finished, if there is a frequency group you want to increase, you can place an equalizer in the Post slot and make a bust.

Side Chain Trick

Sometimes it is not possible to avoid Conflicting Instruments. The type of compressor named Side Chain is the rescuer in such scenarios. In cases where Rhythm conflicts with guitars, solo guitar or vocal, bass, etc., it will be necessary to perform a certain Side Chain operation. For example, it would be a good idea if the vocal rhythm entering the song suppresses the sound of the guitar. Side Chain compressor in this case it is necessary to place the guitars. Sending the feeder signal from the vocals to the guitar’s compressor allows us to complete the process. As the vocal element overlaps, it will lower the guitar’s sound at the level and speed you define.

Watching the Spectrum

Using Spectrum Analyzers can help you develop a serious habit. Software that visualizes this movement even though the sounds act sonically. Where am I in Mixage? How high is my Volume? Is the Mix safe? can answer questions such as. These graphical interfaces from bass to treble from left to right will allow you to watch the song. For example; It would be a very beneficial process for you to analyze the pieces of your favorite artists and watch where and how they are made.

High Peak Mixing

Mastering is a serious presentation and finalization process. It is a critical phase for people who aim to make their songs lush to set the same peak pick point correctly during the mixing phase. The 24-bit Wav Bouns that used to peak at minus 6 Decibels and sent to Mastering later went up to minus 5, minus 4. Our recommendation is to try to keep it at a peak that goes up to minus 3 or even minus 1. Because the louder you hear the sound in mixing, the more it is. The difference between you and mastering is reduced. You don’t have to work loudly. If you shorten the Monitoring Gain, the volume that only affects your sensation, your ears will not be tired.

Adjusting for Hearing

Whether mixing or mastering, the most important thing to do is to listen and adjust according to ear taste. It’s a good idea to pursue whatever sounds good. Do you need Volume down, Equalizer adjustment, Compressor? Is not there? Do I need to use Reverb? When you ask questions such as, you have to get the answer in your own ear.